{"product_id":"1891-remington-the-last-stand-double-page-centerfold-buffalo-bill-jan-10","title":"1891 Remington \"The Last Stand\" Double-Page Centerfold — Buffalo Bill — Jan 10","description":"🗞️ HARPER'S WEEKLY · January 10, 1891\nComplete Issue · New York\n\n━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━\n\nA collector's issue of the highest significance — Frederic Remington's \"The Last Stand\" as a double-page centerfold, cataloged by the Buffalo Bill Center of the West and later used as the frontispiece of Remington's celebrated book *Pony Tracks*. This is the original published source of one of the most famous Western American illustrations ever created — not a reproduction — in a complete original issue of Harper's Weekly. One of the most desirable Remington issues in the run.\n\n━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━\n🎨 FREDERIC REMINGTON — \"THE LAST STAND\"\n━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━\n\n🏇 DOUBLE-PAGE CENTERFOLD — \"THE LAST STAND\" — BY FREDERIC REMINGTON\nThe showpiece of the issue and one of the most famous Western American illustrations ever published — Frederic Remington's \"The Last Stand,\" appearing as a double-page centerfold on pages 24-25 of Harper's Weekly, January 10, 1891. The original oil painting (signed and dated 1890) is cataloged by the Buffalo Bill Center of the West, which documents this exact Harper's Weekly publication as the primary printed source. The painting later became the frontispiece of Remington's celebrated 1895 book *Pony Tracks*, one of the defining collections of Western American art and writing.\n\nThe composition depicts a small remnant of U.S. Cavalry soldiers — cartridge belts nearly empty, sabers stuck in the ground — making a final desperate stand against unseen attackers. Though not meant to portray any specific historical event, the connection to Custer's last moments at the Little Bighorn is deliberate and unmistakable. Remington himself had ridden with 10th Cavalry (Buffalo Soldier) patrols and shared camps with officers, giving his cavalry depictions an authenticity that made him the definitive visual chronicler of the Indian Wars. \"The Last Stand\" was widely distributed in its day — a ranch hand named George Garrison reportedly took his copy home to show his family and neighbors, and \"it went from the Joseph farm over to Hoyt's store, and from there over the country. Everyone saw it.\"\n\nThis double-page centerfold is the primary published document of \"The Last Stand\" — the actual pages from which Remington's image first reached a national audience. An original print from the complete original issue — not a reproduction. Remington prints from Harper's Weekly regularly sell at auction; this complete issue with the centerfold intact is the most significant Remington format available outside of a fine art gallery.\n\n━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━\n🚂 PHILADELPHIA \u0026amp; READING RAILROAD\n━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━\n\n🚂 FULL PAGE — \"THE PHILADELPHIA AND READING TERMINAL FACILITIES\" — FOUR VIEWS\nA full-page documentary of the Philadelphia and Reading Railroad's terminal facilities — a significant piece of American railroad history at the height of the Gilded Age's great railroad expansion. The Philadelphia and Reading was one of the most powerful railroads in the Northeast, controlling vast coal reserves and passenger lines across Pennsylvania and New Jersey. A significant piece of railroad and Philadelphia history.\n\n━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━\n📋 CONDITION\n━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━\n\nI photograph every page of every issue so you can inspect the condition closely before purchasing. Please review all images carefully and don't hesitate to ask any questions — I'm happy to provide additional detail or close-up shots of any page, illustration, or area of concern before you buy.\n\n━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━\n📌 DETAILS\n━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━\n\nPublication ········ Harper's Weekly\nDate ··············· January 10, 1891\nCity ··············· New York\nFormat ············· Illustrated newspaper, complete in 16 pages\n\n━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━\n📦 SHIPPING \u0026amp; PRESERVATION\n━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━\n\n• Stored in an acid-free protective bag and flat-shipped in a padded envelope with heavy cardboard reinforcement\n• Fully tracked for your peace of mind\n\n━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━\n🔍 SEO TAGS\n━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━\n\nRemington Last Stand centerfold, Frederic Remington Last Stand, Remington Harper's Weekly 1891, Last Stand Buffalo Bill Center, Remington Pony Tracks frontispiece, Remington cavalry last stand, Remington Indian Wars painting, Remington double page centerfold, Western art Remington antique, Remington original print Harper's, Remington 7th Cavalry painting, Custer last stand Remington, Indian Wars Remington antique, Remington oil painting source, Remington Western Americana, Philadelphia Reading Railroad, Reading Railroad terminal, Gilded Age railroad antique, Philadelphia railroad history, Reading Railroad facilities, Harper's Weekly 1891, antique newspaper 1891, Gilded Age newspaper, antique illustration engraving, framing quality print, Remington collector, Western art collector, Indian Wars collector, Custer collector, history lover gift, rare newspaper collectible, museum quality ephemera","brand":"My Store","offers":[{"title":"Default Title","offer_id":52264015200476,"sku":null,"price":143.21,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0849\/4759\/9580\/files\/e42c975a-il_fullxfull.8319560624_jzn4.jpg?v=1786496650","url":"https:\/\/thekeenantiquarian.com\/products\/1891-remington-the-last-stand-double-page-centerfold-buffalo-bill-jan-10","provider":"My Store","version":"1.0","type":"link"}